Student Engagement in a Digital Context: 360 Immersive Video and Feedback
Abstract
This case study discusses a recent small-scale research project that investigates the integration of 360 camera and head mounted display units (HMD’s) to enhance formative video feedback in Dance Technique in Higher Education (HE). The project was funded by the Teaching and Learning Innovation Fund at the University of Lincoln and led by academics in the School of Fine and Performing Arts. The project took place throughout the academic year 2020/2021 and was designed to respond to the challenges the pandemic had created for Dance in HE. A group of 10 final year BA Hons Dance university students chose to participate in the project for the duration of the year.
Downloads
References
Buday, C., & Evans, J. (2015). Self and peer review in dance classes using personal video feedback. In C. F. Stock & P. Germain-Thomas (Eds), Contemporising the past; envisaging the future, Proceedings of the 2014 World Dance Alliance Global Summit, Angers, 6-11th July. https://ausdance.org.au/articles/details/self-and-peer-review-in-dance-classes-using-personal-video-feedback
Entwistle, N. J. (2000, November). Promoting deep learning through teaching and assessment: conceptual frameworks and educational contexts [Paper presentation]. Teaching and Learning Research Program (TLRP) Conference, Leicester, England. https://zoippo.net.ua/zwimg/2/2e/Promoting_deep_learning_through_teaching_and_assessment-_conceptual_frameworks_and_educational_contexts..pdf
Gerner, A., & Guerra, M. (2014). On the cinematic self. Cinematic experience as “out-of-body” experience? In: A. Gerner, & J. Goncalves (Eds.), Altered self and altered self experience (85-106). Norderstedt: Bod.
Kivunja, C. (2015). Innovative methodologies for 21st century learning, teaching and assessment: a convenience sampling investigation into the use of social media technologies in higher education. International Journal of Higher Education, 4(2), 1-26. https://doi.org/10.5430/ijhe.v4n2p1
Merleau-Ponty, M. (2002). Phenomenology of perception. Routledge.
Neary, M., Saunders, G., Hagyard, A., & Derricott, D. (2014). Student as producer: research-engaged teaching, an institutional strategy. Evaluation Report for Higher Education Academy. https://www.advance-he.ac.uk/knowledge-hub/student-producer-research-engaged-teaching-and-learning-institutional-strategy
Nicol, D., & Macfarlane-Dick, D. (2007). Formative assessment and self-regulated learning: A model and seven principles of good feedback practice. Studies in Higher Education, 31(2), 199-218. https://doi.org/10.1080/03075070600572090
Tversky, B., & Hard, B. (2008). Embodied and disembodied cognition: Spatial perspective-taking. Cognition, 110(1), 124-129. https://doi.org/10.1016/j.cognition.2008.10.008
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish with this journal agree to the following terms:a. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
b. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
c. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).